The rule was to follow the noise in a journey through valleys and peaks that allowed the spontaneous appearance of textures, lyrics, phrases and some invented chords that did not resemble anything that had been heard at that time. Equipped with tube amplifiers, Marshall and other custom made, the members of that time: Gonzalo Laguna on vocals, Juan Pablo Rodriguez on bass, Domingo García-Huidobro on guitar, Diego Lorca on drums and Francisco Zenteno on second guitar, they began to play endless jams without a strict sense of songs or directed compositional notion. In this context, a group of university students who have known each other from school began to rehearse in the Caracol Vip underground (Santiago, Chile), in a room owned by a local heavy-metal legend, Juanzer. This experimentation had the internet and specialized forums as a search engine, which not only provided the world parameters in trends, but also allowed to find true hidden gems, bands that were adored by a few connoisseurs of the real quality left behind by the record labels. During the prolific post-napster musical era dominated by myspace, the Chilean musical field opened up so that many bands could broaden their creative spectrum by taking global and timeless references as an aesthetic holy grail. In addition, there is fat bass and powerful drums. On their debut it is mostly a rather bulky one, determined by the downright dirty, distorted electric guitar, which is also usually accompanied by a spacey, howling and herbaceous howling one. Currently heading into the bags of all my most discerning customers, this is must have tackle!įöllakzoid are nearly unparalleled in the hypnotic lysergic drenched neo-psychedelic experience. Nu Guinea's meticulous recreation of the 80s Neapolitan club sound far surpasses pure pastiche thanks to expert production, endless grooves and the necessary songwriting talents. STAFF COMMENTS Patrick says: It came, it went, it's back to conquer again. As ever, there's a touch of the library about it all but the strength of songwriting, arrangement and production ensures this is gonna be a sell out smash.
The latest product of that prolific region comes from Early Sounds associated Nu Guinea, who look to the groovy heavy and giddy 80s club sounds of their home town for inspiration, serving us a brand new album of analogue synth licks, blaxplo guitars and stone cold funk, topped perfectly by some flawless female vocals.
Pirates choice orchestra baobab rar Patch#
With a new and essential Periodica dropping once every couple of weeks, a perennial purple patch for the Mystic Jungle Tribe and relentless heat eminating from the whole Early Sounds fam, it's fair to say that Napoli has become ground zero for slack funk fire and the most spaced out, spangled disco around. Late arrivals Prolapse were the last gasp of this genuine independence. By 1996 indie had become the mainstream in terms of record sales and sound and was strutting around at the opposite end of the cultural spectrum to the indie bands of the Eighties and their war against popular culture.
Prolapse arrived in the middle of the Britpop era and their tense, almost neurotic music clashed with the stadium-filling, jolly knees- up pop that dominated the indie mainstream of the time. There were hints of the Fall, krautrock, PiL and a touch of the pure golden pop of Blondie along with the sense of restless dislocation shared by many of the post-punk bands.
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Features the original LP plus a bonus disc with the Cherry Red E.P tracks, plus a 16-page booklet containing photos, reviews, and sleevenotes from Mick Derrick, Steve Mack & John Robb.Ĭombining a metronomic krautrock beat played by a monster drummer, looping guitars and a boy/girl vocal that sounded like a bickering bed-sit argument turned into song, Prolapse had all the manic intensity of a nervous breakdown set against a backdrop of inventive guitar work and a really tough rhythm section.
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